followed in 1994 to critical acclaim

followed in 1994 to critical acclaim. The new work was almost entirely free of percussion and was truly ambient across both discs; the eponymous single from the album featured.

1. The new material was a curious mix of ambient textures and hard, gritty dance music.
2. This album also featured a collaboration with the composer sessions.

The album received mixed press, with many claiming the band had gone overboard and moved from what they did best, while others called it a masterpiece of modern featured a fairly solid band lineup throughout, which extended to live shows which the band had undertaken away from the ISDN cables, from 2005 onwards. The FSOL moniker re-appeared, finally, in 2006 with a piece entitled A Gigantic Globular Burst Of Anti-Static, intended as an experiment in 5.
1 Surround Sound and created for an exhibition at the entitled, appropriately, Life Forms. The piece contained reworked material from their archives and newer, more abstract ambient music.

1. The piece was coupled with a video called Stereo Sucks, marking the band's theories on the limitations of stereo music, released on a DVD packaged with Future Music Magazine Issue 182 in December 2006.
2. In 2007, the band uploaded several archive tracks online, for the first time revealing much of their unreleased work and unveiling some of the mystery behind the band.

The old FSOL material, along with a selection of newer experiments, the 5. 1 experiments and a promise of unreleased Amorphous Androgynous psychedelic material, was uploaded for sale on their online shop,.